Archive for the ‘Thomas and the Magic Railroad’ Category
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Our 3yr frail boy loves Thomas. We have all the videos and trains, etc. He wants to observe this thing every day. He repeats lines from the movie and acts them out all day. It was large for him. We took him to the movies to survey it together. He loved that, too. For him, we would do it all again in a diminutive.
As parents, we could have done without the “mean-ness” of Diesel #10 and the fact that he wants to “dominate and end”. He also uses the word “lifeless” several times. Not nice.
As adult movie critics, we saw laughably awful acting (with the exception of “Mr. Conductor” and “Junior”. (Spy that even some of the 5-star reviewers agree.) Britt Alcroft directed and wrote it, and it is clear that she should have asked for succor from someone who knew what they were doing. If you pay attention, demand to be confused. We expected more because we actually luxuriate in watching all of the other videos, and they are really well done.
This movie was by far the worst Thomas production ever made. I was shocked when I discovered that Britt Allcroft wrote it; now we know why she always had a co-writer when she was writing episodes for the TV series, and why she was kicked out of Gullane Entertainment afterwards.
Buy,Download, Or Stream Thomas and the Magic Railroad! Click Here
Buy,Download, Or Stream Thomas and the Magic Railroad! Click Here
The script is so poorly written that I feel sorry for the trees feeble to originate the paper that it was written on. The Island of Sodor, in the TV series an island off the flit of England that was more or less normal, has been turned into a magical ghost town populated by talking trains and literate animals. Why Britt Allcroft chose to accomplish such a speedily departure from the TV series I will never know. She also filled the script with complicated location devices that few children will be able to understand (you’d need to be Einstein or Stephen Hawking to figure out the respond to the riddle on the windmill wall), and threw her healthy knowledge of the Thomas characters out of the window (Thomas is portrayed as a goody-goody, Bertie as being annoyingly hyperactive, Henry as being a whiny afflict in the neck, and James as being so short of brain cells that he doesn’t know what the word “shoo” means) .
Usually, poor scripts bring in dreadful acting, and this movie was no exception. Alec Baldwin’s character was so annoying (I’m distinct I’m not the only person who wishes Diesel 10 had dropped him off the viaduct), and took the limelight that should have been given to Thomas and the other engines. Peter Fonda’s character was the most melancholy, depressing character in the history of children’s movies. Mara Wilson’s character was better, but quiet seemed like a teenage girl younger than her years. And what was the point of having huge name actors anyway? It’s not as if limited children are going to recognise them.
Buy,Download, Or Stream Thomas and the Magic Railroad! Click Here
I also rep the film to be overly violent. Diesel 10 is so tainted that it’s no wonder puny children started crying and asking to leave the theater when he made his first appearance. We’re never told why he’s unfriendly either, he impartial comes off as a character who wants to end steam engines for no reason whatsoever. In the fresh series, if a character was scandalous it was usually for a righteous reason. In a similar fashion, while characters in the TV series might be improper, they never went further than playing tricks on the other engines and trying to accept them sent away. Here, Diesel 10 tries to extinguish Mr Conductor and Junior in scenes that build me amazed the film got a G rating.
Then there’s the fact that the steam engines obtain what can only be described as outstanding cameos. When I went to study this at the theater, I noticed a lot of small children fidgeting and looking bored during the scenes with the human characters. Really I’m not at all surprised that they were; they came to the theater to look their common blue engine and his friends, not a Lilliputian railroad conductor who had lost his gold dust.
Last but not least, what can petite children learn from this movie? The TV series episodes all have morals in them, like “don’t relate lies” and “don’t gather too elephantine of yourself.” Other than a brief line at the extinguish about helping each other, this movie has no true value in it whatsoever (unless you count teaching children to be senselessly violent a correct) .
In September of this year a second Thomas movie is coming out, albeit shorter than this one and being released deliver to video, called “Calling All Engines.” Spoiled your fingers and hope it’s better than this turkey.
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