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For a blind person, it would seem like a dream near fair to have their peruse restored. But what if it came with a imprint? That is the thought leisurely the Pang Brothers’ “The Leer” (“Jian gui”), one of the most minimalistic — and chilling — dread movies in years.

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Wong Kar Mun (Angelica Lee) has been blind since she was two, but a cornea transplant restores her study. At first she can only gawk blurry figures. But then, Mun sees shaded phantoms leading away the spirits of the dreary. Even worse, she sees the ghosts of suicides lingering on, doomed to uncover their deaths until they are build to rest.

Horrified by this, she goes to her psychotherapist Dr. Wah (Lawrence Chou) for assist. Stretching professional ethics, the lovestruck doctor manages to pick up the records of the donor, and they go to examine her family in a rural village. And guided by dreams and visions, Mun learns of the tragic life of a girl, Ling, who could foresee death…

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If you like serial killers, buckets of blood and screaming blondes in your dread movies, don’t sight “The Seek.” As a scare movie, it will be too subtle, too still, and too corpulent of shiny questions about life and death.

There are only a couple of staunch “alarm” moments in here, where things gaze grotesque. Most of the time, it’s psychological in nature; at one point, we hear that suicides are doomed to disclose their deaths — it’s horrifying enough to peep someone killing themselves, but doing it over and over? Even worse, we gape this in action.

And the Pang Bros. handle this wonderfully. Many of the ghosts appear and vanish rapidly, giving a shock to the audience; at other times, they gape the changes that look brings to Mun’s life. But at the same time, the Bros. add a softer side to this movie, such as Ling’s reconciliation with her mother. It’s a credit to the Bros. that this is touching, not syrupy.

A lot of the impact of the film can be credited to Lee and Chou. Lee especially, for showing a range of emotions, including joy, inconvenience, hysteria and still acceptance. Boyishly comely Chou balances out Mun in a very believable, by merely being a pillar of strength and believing her seemingly crazy stories. The only flaw is that he seems to topple for her too fleet.

The DVD also comes with a very insightful featurette, which sheds a lot of light on the film’s background and production. The actors talk about their characters, the directors talk about creating gas explosions and ghosts. And we hear from the people whose stories inspired the ghosts in this film, such as the guy standing in the highway.

With capable acting and a really chilling script, “The Inspect” is one of the rarest kinds of terror — the kind that horrifies the mind, rather than the stomach. Mesmerizing and really spooky.

I cherish being alarmed. I started watching panic movies as far relieve as 4 years musty. I even made it a point to rent every terror movie at both of my local video stores. And if a movie gave me nightmares for 2 days, I wanted to gain one that would obtain it 3. It could’ve been anything. Later on I’d realise I was exposed not only from the standard American fright legends like Romero to Raimi, but also Bava and Argento from Italy and of course Hitchcock.

While that was a respectable long hasten, I became desensitised at a fairly early age by slasher and/or gore films. Only few films would leave lasting impressions on my psyche. Then I came across asian alarm. Japanese staples like Ringu and Ju On were instantly in a different league. The off kilter timing and sincerity in telling a chronicle wouldn’t impartial apprehension the fairly jaded alarm movie fan in me, it would shake every fibre of my being. The paranoia I felt after seeing movies like Begotten or Silence of the Lambs or even the last scene in Blair Witch could not compare to the atmosphere built by the aforementioned movies. With Asia restoring my faith in the genre, I branched out even further. And this is where The Observe comes in.

The Notice is the scariest movie I’ve ever seen in my life. Short of spoilers, that’s the best description I can give. For what it is, it’s the perfect movie in it’s genre. It literally immerses you into the atmosphere and spits you out without a moment’s scrutinize. I personally felt like a deer in headlights each time, stronger than the last. And when it’s all over, life itself can feel like a nightmare. At least for a while. I no longer admire being unnerved. I am simply troubled.

Watch this movie at 2 in the morning alone with the lights off.
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