Archive for the ‘Doctor Who - New Beginnings’ Category
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I have been waiting and waiting for Logopolis on DVD!! I, like many die-hard American Doctor Who fans, grew up watching the fourth Doctor on PBS. As a child he was my hero. (Well, okay, he’s unruffled my hero.) Ironically, however, as a kid I had watched the American bustle of the fourth Doctor without ever intelligent anything about his other selves. I hadn’t seen the Five Doctors yet, and they didn’t indicate Hartnell, Troughton, or Pertwee’s Doctors on PBS. Therefore, when I saw the kill of Logopolis, I was both crushed and confused. Where had my boyhood hero gone, and why has he turned into a young guy in a cricket outfit? I remember being very black and upset about this, and asking my father what had happened. As an older Doctor Who fan, he was able to lay all out for me. “The Doctor can regenerate,” he said. “As a Timelord he has 12 incarnations.” “Oh,” I said, downtrodden. “Will they ever bring Tom Baker serve? ” Now, as an adult, I be pleased all of the first four Doctors equally well. Though I contemplate the introduction of Peter Davison was the beginning of a downward spiral for the expose (which actually started with John Nathan-Turner as producer), he does have some superior stories. This Unique Beginnings box status will be a bright bridge between the eras of the fourth and fifth Doctors, and for me will be a considerable lope down memory lane as I have not seen any of these three stories for quite some time. The Keeper of Traken introduces Nyssa as well as the unusual Master, played by Anthony Ainley. It was the fourth Doctor’s second to last anecdote. Logopolis, of course, is the fourth Doctor’s last sage, and is very safe. Castrovala marks the beginning of the fifth Doctor, though it was not the first fifth Doctor epic to be filmed. In it, Peter Davison pulls apart Tom Baker’s distinguished scarf. (Can we forgive him? ) As a trademark, he oddly replaces it with a fragment of celery on his lapel, an explanation for which is not attempted until the fifth Doctor’s last anecdote, The Caves of Androzani. Including these three back-to-back stories in one box space was a fabulous concept. It’s too awful the same can’t be done for the shifts from the first to second and second to third Doctors. We have the shift from the fifth to sixth Doctor in Caves of Androzani, and there is no shift from the sixth to seventh Doctor, as Colin Baker (quite understandably) refused to film one. It’s a shame though that the American television movie featuring Paul McGann as the eighth Doctor is not available on DVD, as its opening scene features the shift from the seventh to eighth Doctor–one of the best-handled death and regeneration segments of all.
If you were a fan of DOCTOR WHO serve in the 1980’s and you lived in Maryland, then MPT was your home of DOCTOR WHO, and your daddy was Tom Baker… always. For years (and years) MPT would air the entire seven season accelerate of Baker from ROBOT to LOGOPOLIS factual up until Peter Davidson sat up tied in Baker’s celebrated scarf and then regenerate again tomorrow wait on in Tom Baker… and it would initiate again. For what seemed like forever DOCTOR WHO was honest Tom Baker and it frustrated me to no waste – leading me to gain that CASTROVALVA was a masterpeice of WHO fiction denied us. But, one day MPT announced that not only had they purchased the Davidson rush, but the entire hurry of DOCTOR WHO as well… and there I was, at the kill of LOGOPOLIS, Davidson sitting up tied in Baker’s famed scarf and the next day…it was William Hartnell, and it was miles to go until LOGOPOLIS came around again.
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Don’t regain me unpleasant. Being able to plan the DOCTOR WHO from the beginning was pure magic, but in the aid of my mind, I was counting down until, finally, at long last… CASTROVALVA began… and once again, here I am and all it takes now is for me to hit PLAY for the demonstrate to open. Times have changed, as to my understanding of the final two stories of Tom Baker and the first for Peter Davidson, they’ve changed as well, but not by grand.
THE KEEPER OF TRAKEN is a studio stride narrative high in effect and simple in drama. The performances across the board are very genuine (with only Matthew Waterhouse not ready for prime time), and the account manages at once to be current, yet a copy as well. It doesn’t select distinguished to notice where all this is heading and while that may sink most shows, here it frees you from having to pay too halt attention, and simply delight in the atmosphere – and TRAKEN has that in spades. From the casual, and comfortable, opening to the renewed battle between the Master and the Doctor, THE KEEPER OF TRAKEN is a solid peice of work. So distinguished so that the Doctor manages to travel from the anecdote for a long while before you really miss him.
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LOGOPOLIS is a beautiful mess. There’s no two ways about it. It’s one of the most modern ideas the series has had, and yet, it does almost nothing with it. The tale strays, having been burden with not only the weight of continuity issues, the reintroduction of Nyssa, the introduction of Tegan, the battle between the Master and the Doctor and finally, the waste of Tom Baker’s speed on DOCTOR WHO. For a chronicle under constant pressure (I mean, it is the literally the destroy of the universe we’re talking about), it all comes across like a meander in the park. It’s simply the silliest armageddon ever.
CASTROVALVA follows on the heels of LOGOPOLIS, taking up the challange thrown down in the previous epic in trying to beget exhaust of the conception that reality can simply be maintained, created and destroyed through math alone. And it almost works. What nearly kills the sage is also one of its greatest strengths, and that’s in the performances of the current TARDIS cast starting to work as a unit. Davidson was lucky enough to not have had to effect his debut tale until he had already made FOUR TO DOOMSDAY which meant he had a better conception and handle on fair how this modern Doctor was going to be played. It’s breathing room he uses to gigantic advantage here – but, it’s given too noteworthy time, and what’s left is not enough for the mystery tedious Castrovalva. Davidson is fine, but Anthony Ainley is better. The Master’s final moments trapped inside Castrovalva are horrific and unsettling, leaving the last moments of the epic with the Doctor in the saddle feeling a bit shallow.
As usual 2 ENTERTAIN have gone out of there draw to encourage up these stories with a host of salubrious extras. Commentaries across the board are well done and informative. On THE KEEPER OF TRAKEN it’s something of a shame that Ainley has so miniature to say on the topic of the Master and his time on DOCTOR WHO. Someone dropped the ball here by not sitting Ainley down with a professional to mine those memories for future generations. As it is, he’s comfortable, joyful and blissful to be attend among friends. Also, I simply can not priase Janet Fielding enough – whenever she’s on a commentary, the tracks shine. She’s pure brass, totally adult, and never afriad to declare her mind. For some reason it’s the women of DOCTOR WHO that always bring something to the table (and they seem to be the only ones that can execute Tom Baker sit up, hold search for and be unprejudiced) which makes these tracks worthwhile. Text commentary is tight and informative, and worth your time. The MAKING OF… and various documentaries across all three dics are very kindly (with some bid from the commentary tracks, but, that’s expected now) .
All in all, it’s fine powerful everything you could want spread over three DVD’s. Three different, but creative stories, two Doctor’s, one Master and a gaggle of companions. Now, I have CASTROVALVA, bring on ROBOT.
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