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“Thoroughly Fresh Millie” is a reminder that once upon a time in Hollywood singing stars made B-musicals. Here is a classic example from the career of Julie Andrews that reminds us her career was not all mega-hits like “Sound of Music” and super-flops like “Star.” Unfortunately for lovers of musicals Hollywood stopped marking movies like this, leaving singing stars with Olivia Newton-John with a crash like “Grease” and a bomb like “Xanadu” with nothing in between. I also have fond memories of “Thorough Current Millie” because it was a movie that was shown to us in class in high school; the reason why we were allowed this privilege is beyond me, unless we were supposed to acquire an appreciation of the Roaring Twenties from this film (so why did they prove us the new version of “The Blob? “) .

Our flapper heroine is Millie Dillmount (Andrews), who has decided to be a “mod” and turned in her long curls for a stylish bob. Her goal in life is to marry her boss and after interviewing several possibilities she hits the jackpot with Trevor Graydon (John Gavin), who hires her as his stenog and calls Millie “John” (as in “Johnny on the location”) . Millie likes young Jimmy (James Fox), who impresses her by inventing a fresh dance called the Tapioca and being a swell kisser, but he is terrible and Millie has her ambitions. Millie’s best gal-al is Miss Dorothy (Mary Tyler Moore), who is sweet, innocent, and has lots of curls.

However, the life of Millie and her friends are caught between two imposing characters. At the hotel for young women where Millie lives there is Mrs. Meers (Beatrice Lillie), who is always looking out for young girls who are “all alone in the world,” like Miss Dorothy, who could be of spend to a Chinese White Slavery ring. But Millie also encounters an unstoppable force for life in the person of the irrepressible Muzzy (Carol Channing), who lives the gracious life at her Long Island “Cottage” estate and pops up at key moments throughout the chronicle.

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The movie is not a spacious musical, mainly because it does not have any really enormous songs (as evidenced by the fact that the new Broadway musical has almost entirely modern songs), but it is quiet sizable fun. Director George Roy Hill takes advantage of Andrews’ amusing flair and the film has broad fun with her double takes and laughable title cards as Millie periodically comments on the proceedings. The movie does exhaust stereotypes of the Chinese, but you have to admit these are balanced between the humorous relief of Mrs. Meers’ henchmen (Jack Soo and Pat Morita) and the wise conventional Tea (Philip Ahn) .

“Thoroughly Original Millie” won an Oscar for music and Channing was nominated for supporting role (she won a Golden Globe for her efforts, were clearly tailored to her style) . But Lillie is a delight as well and I personally be pleased Gavin’s mock-heroic performance. Moore unbiased has to sight sweet, although she does fetch to say a terrible word (!), and Fox is charming although clearly too young for Andrews. Unfortunately the debacle of “Star” attractive remarkable derailed Andrews’ musical career in Hollywood, which is a loss because the laughable flair she shows here is the same that she showcased in films like “Victor, Victoria” a couple of decades later. The first-rate news is that the Broadway reveal will bring this film help to the public’s notice; I am definite that is the reason I have spent the morning observe the film on TV.

Julie Andrews. Carol Channing. Mary Tyler Moore. Beatrice Lillie. What a cast!

THOROUGHLY Unusual MILLIE (TMM) is a hoot. Director George Roy Hill keeps the perambulate rapidly and the mood light. He has Julie Andrews explore into the camera often for humorous execute. Usually a still movie card is flashed onscreen when she does this, telling the audience Millie’s thoughts (“Her beads hang straight.”)

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The characters are broadly drawn, which makes the movie fun. Beatrice Lillie is the arch-villainess, and her severe makeup and beehive hairdo are hilarious. Mary Tyler Moore strikes the fair chord as the virginal Miss Dorothy.

There are several highlights for me: The opening number when Millie changes from ‘plain Jane’ to ‘thoroughly modern’; any time a character has to dance in the tempermental elevator to form it go up or down; “Jazz Baby” with Carol Channing.

About the disc: The print of TMM doesn’t inspect that pleasurable. The movie was released in 1967, so it’s over 35 years customary. Some of the special-effects shots (even the wipes and transition scenes) leer grainy. The colors could be more vibrant. This is probably the best print in existence, unexcited one wishes the quality were better. The sound tended to ‘peak’ in sections too.

TMM fans will be pleased to know that the overture and intermission music have been restored.

TMM is a amusing, engaging, weak film with vast performances. Julie Andrews seems to be having a stout time vamping it up. Indulge In it!
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